Kyle Lang’s directing credits include Carmen (San Diego Opera), L'elisir d'amore (Virginia Opera), Die Fledermaus   (Utah Opera), Lucia di Lammermoor (Virginia Opera), 

The Pirates of Penzance (Intermountain Opera Bozeman), 

Mame (Seagle Music Colony), As One (San Diego Opera), The Pirates of Penzance (Associate - San Diego Opera), The Bear (Wexford Festival Opera), La bohème (Virginia Opera),

Die Zauberflöte  (Seagle Music Colony), Don Quixote and the Duchess (Central City Opera), L’enfant et les sortilège and Gianni Schicchi (Simpson College), Dead Man Walking (Opera Fayetteville), Apprentice Showcase (Santa Fe Opera), The Face on the Barroom Floor (Tulsa Opera), and Short Works (Central City Opera).

 

His choreographic credits include Ariadne auf Naxos (Santa Fe Opera), My Fair Lady (Teatro San Carlo), Die Fledermaus    (Utah Opera), Vanessa (Wexford Festival Opera), Turandot (Virginia Opera),  The Merry Widow (Boston Lyric Opera),   The Merry Widow  (Utah Opera),  La Traviata (Fort Worth Opera),  Jenůfa  (Des Moines Metro Opera),  The Last Savage (Indiana University), Sweeney Todd (Virginia Opera), La Traviata (Des Moines Metro Opera), Ariadne auf Naxos (Virginia Opera),  Carmen (Opera Omaha), Falstaff (Virginia Opera), Le Nozze di Figaro (Virginia Opera), Die Fledermaus (Opera Memphis), and La Traviata (Lyric Opera Baltimore).

 

Kyle has assistant directed for Santa Fe Opera, San Diego Opera, Virginia Opera, Utah Opera, Fort Worth Opera, Central City Opera, Opera Omaha, Tulsa Opera, Opera Memphis, and Indiana University.

 

His performing credits as a professional dancer include ZviDance, The Metropolitan Opera, The Lyric Opera of Chicago, The Washington National Opera, The Santa Fe Opera, and with Christopher K. Morgan, performing in countries across Europe, South America, and the Middle East. He pursued music studies at the University of Southern Mississippi before earning a BFA in dance from New York University’s Tisch School of the Arts. His home is currently in Washington, DC.